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Theall notes of McLuhan’s relationship with acoustic space throughout the years with explorations into poetry, art and culture:

"The initial phrase “acoustic space, “ probed and played with through three decades, becomes itself an artifact (or “medium”), suggestively exploring the metamorphoses achieved through the transformations affected by electric technologies of production, reproduction, and dissemination on the pre-electric technologies of print and visual prints, writing, and visual art." (Theall, 146)
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  • Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (2001)
  • Roberts et al, Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology (2012)
  • Loss Pequeño Glazier, Code as Language (2006)
  • Lori Emerson, Numbered Space and Topographic Writing (2006)
  • Anna Katharina Schaffner, From Concrete to Digital: The Reconceptualization of Poetic Space (2010)
  • John Cayley, Lens: The Practice and Poetics of Writing in Immersive VR: A Case Study with Maquette (2006)
  • Katherine Hayles, The Time of Digital Poetry: From Object to Event (2006)
  • Laurie Petrou, McLuhan and Concrete Poetry: Sound, Language and Retribalization (2006)
  • Manuel Portola, Concrete and Digital Poetics (2006)
  • Brian Lennon, Screening a Digital Visual Poetics (2000)
  • Sharp et al, Visual Text: concrete poetry, hyperfiction and the future of the narrative form (2003)