5555555 55555 555

____

McLuhan’s texts and treatments, as well as his forays into non-linear visual speech and space demonstrate his close link to the concrete poets. What his tetrads in particular in their visual formation recall, as does the work of the concrete poets, is a formulaic approach to language, sound and the visual that in its very process are a technique similar to that used in oral cultures.
  • 5555555 55555 555 _____
  • Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (2001)
  • Roberts et al, Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology (2012)
  • Loss Pequeño Glazier, Code as Language (2006)
  • Lori Emerson, Numbered Space and Topographic Writing (2006)
  • Anna Katharina Schaffner, From Concrete to Digital: The Reconceptualization of Poetic Space (2010)
  • John Cayley, Lens: The Practice and Poetics of Writing in Immersive VR: A Case Study with Maquette (2006)
  • Katherine Hayles, The Time of Digital Poetry: From Object to Event (2006)
  • Laurie Petrou, McLuhan and Concrete Poetry: Sound, Language and Retribalization (2006)
  • Manuel Portola, Concrete and Digital Poetics (2006)
  • Brian Lennon, Screening a Digital Visual Poetics (2000)
  • Sharp et al, Visual Text: concrete poetry, hyperfiction and the future of the narrative form (2003)