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The following posts have been extracted from Katherine Hayles's 2006 book chapter The Time of Digital Poetry: From Object to Event.
  1. APA: Hayles, N. K. (2006). The time of digital poetry: from object to event, in New Media Poetics: Contexts, Technotexts, and Theories, Morris, A and Swiss, T., (eds), MIT Press,143-164.
  2. Chicago: Katherine N. Hayles, "The time of digital poetry: from object to event." in New Media Poetics: Contexts, Technotexts, and Theories Morris, A and Swiss, T., (eds), MIT Press (2006): 143-164.
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  • Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (2001)
  • Roberts et al, Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology (2012)
  • Loss Pequeño Glazier, Code as Language (2006)
  • Lori Emerson, Numbered Space and Topographic Writing (2006)
  • Anna Katharina Schaffner, From Concrete to Digital: The Reconceptualization of Poetic Space (2010)
  • John Cayley, Lens: The Practice and Poetics of Writing in Immersive VR: A Case Study with Maquette (2006)
  • Katherine Hayles, The Time of Digital Poetry: From Object to Event (2006)
  • Laurie Petrou, McLuhan and Concrete Poetry: Sound, Language and Retribalization (2006)
  • Manuel Portola, Concrete and Digital Poetics (2006)
  • Brian Lennon, Screening a Digital Visual Poetics (2000)
  • Sharp et al, Visual Text: concrete poetry, hyperfiction and the future of the narrative form (2003)