Digital poetry is frequently, and I believe correctly, assigned to the wider trajectory of experimental/avant-garde poetry in many other studies as well. It is often considered as a third stage, contemporary continuation and further development of earlier experiments.
How did concrete poetry redefine poetic space and how are space and its parameters reconfigured once more in digital poetry in a second step? And what happens to the notion of ‘concrete’ in the web?
How did concrete poetry redefine poetic space and how are space and its parameters reconfigured once more in digital poetry in a second step? And what happens to the notion of ‘concrete’ in the web?