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Digital poetry is frequently, and I believe correctly, assigned to the wider trajectory of experimental/avant-garde poetry in many other studies as well. It is often considered as a third stage, contemporary continuation and further development of earlier experiments.

How did concrete poetry redefine poetic space and how are space and its parameters reconfigured once more in digital poetry in a second step? And what happens to the notion of ‘concrete’ in the web?
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  • Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (2001)
  • Roberts et al, Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology (2012)
  • Loss Pequeño Glazier, Code as Language (2006)
  • Lori Emerson, Numbered Space and Topographic Writing (2006)
  • Anna Katharina Schaffner, From Concrete to Digital: The Reconceptualization of Poetic Space (2010)
  • John Cayley, Lens: The Practice and Poetics of Writing in Immersive VR: A Case Study with Maquette (2006)
  • Katherine Hayles, The Time of Digital Poetry: From Object to Event (2006)
  • Laurie Petrou, McLuhan and Concrete Poetry: Sound, Language and Retribalization (2006)
  • Manuel Portola, Concrete and Digital Poetics (2006)
  • Brian Lennon, Screening a Digital Visual Poetics (2000)
  • Sharp et al, Visual Text: concrete poetry, hyperfiction and the future of the narrative form (2003)