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Digital poets continue to attempt to exploit the medium of the word to more accurately represent our desire to have a full experience of and through language as a form of life — only now, through movement, generation, interactivity, they are able to express visually the life-like qualities of words.

What is fundamental in that conceptual/perceptual shift brought on by the digital is that the digital realm offers us the opportunity to represent (not necessarily conceive of) space in different or expanded terms than that of paper-based writing; and, further, this sense of space therefore requires that we come up with a different set of literary terms for the interpretation of certain digital texts. Despite the inseparability of space and time in these digital pieces — an inseparability often marked by text that moves and unfolds in space — solely for the sake of brevity this paper will primarily center on space.

The subject-matter of poetry is not that ‘collection of solid, static objects extended in space’ but the life that is lived in the scene that it composes; and so reality is not that external scene but the life that is lived in it. Reality is things as they are. The general sense of the word proliferates its special senses. It is a jungle in itself (Stevens, 658).