Jay David Bolter and Richard A. Grusin, Remediation: Understanding New Media (Cambridge, Mass.: MIT Press, 1999)
Jay David Bolter, Writing Space: The Computer, Hypertext, and the History of Writing (Hillsdale, N.J.: Erlbaum, 1991), 26.
William Dickey, “Poem Descending a Staircase: Hypertext and the Simultaneity of Experience,” in Hypermedia and Literary Studies, ed. Paul Delany and George P. Landow (Cambridge, Mass.: MIT Press, 1991), p. 145.
Johanna Drucker, The Visible Word: Experimental Typography and Modern Art, 1909–1923 (Chicago: University of Chicago Press, 1994
George P. Landow, Hypertext: The Convergence of Contemporary Critical Theory and Technology (Baltimore: Johns Hopkins University Press, 1992), p. 20-22, 34.
Donna Haraway, “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in idem, Simians, Cyborgs, and Women: The Reinvention of Nature (New York: Routledge, 1991), pp. 149–181
N. Katherine Hayles,
Jay David Bolter, Writing Space: The Computer, Hypertext, and the History of Writing (Hillsdale, N.J.: Erlbaum, 1991), 26.
William Dickey, “Poem Descending a Staircase: Hypertext and the Simultaneity of Experience,” in Hypermedia and Literary Studies, ed. Paul Delany and George P. Landow (Cambridge, Mass.: MIT Press, 1991), p. 145.
Johanna Drucker, The Visible Word: Experimental Typography and Modern Art, 1909–1923 (Chicago: University of Chicago Press, 1994
George P. Landow, Hypertext: The Convergence of Contemporary Critical Theory and Technology (Baltimore: Johns Hopkins University Press, 1992), p. 20-22, 34.
Donna Haraway, “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in idem, Simians, Cyborgs, and Women: The Reinvention of Nature (New York: Routledge, 1991), pp. 149–181
N. Katherine Hayles,
- “The Seductions of Cyberspace,” in Rethinking Technologies, ed. Verena Andermatt Conley (Minneapolis: University of Minnesota Press, 1993), pp. 173–190;
- “Text Out of Context: Situating Postmodernism within an Information Society,” Discourse 9 (Spring/Summer 1997): 25–36;
- How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago: University of Chicago Press, 1999).
Matthew G. Kirschenbaum, “Truth, Beauty, and the User Interface: Notes on the Aesthetics of Information,” paper presented at the conference “Mixed Messages: Image, Text, Technology,” University of North Carolina, Charlotte, October 13, 1997.
Richard A. Lanham, The Electronic Word: Democracy, Technology, and the Arts (Chicago: University of Chicago Press, 1993), p. 34.
Gertrude Stein, “Composition as Explanation,” in The Selected Writings of Gertrude Stein (New York: Random House, 1962), pp. 514–518
Richard A. Lanham, The Electronic Word: Democracy, Technology, and the Arts (Chicago: University of Chicago Press, 1993), p. 34.
Gertrude Stein, “Composition as Explanation,” in The Selected Writings of Gertrude Stein (New York: Random House, 1962), pp. 514–518
